Sunday, October 24, 2010
Well. I've been hanging out to be able to show this one off. You bet.
This link here: Outcast Opera Bedlam Video take you to the YouTube version of the video that Outcast have made for purposes of engendering interest in the project. I'm listening to it right now... and I've got chills.
You'll note it incorporates a lot of dance. In general, Opera doesn't - but this one is different, because the people behind it are different. And frankly, I think the movement, costumes and choreography will add a wonderful extra dimension to the whole opera concept.
For what it's worth, the basic plotline is relatively simple. It's set in the infamous Bedlam asylum, circa 1815 or thereabouts, at the height of the very dodgy doings of Dr Thomas Monro -- the boss doc of the place. Somewhere deep in the heart of the asylum is a prisoner with a terrible secret: the mad queen mentioned in the clip.
I'm not sure how much I should divulge here. The clip says the queen is out of time, which is correct in more than one sense, I should say. It also says one will try to claim her, and one will try to save her. So we've got the classic triangle thing going on, naturally.
But of course, this is a Steampunk fantasy piece, so the men trying to claim her or save her are not exactly as they seem, and neither is she... and so, good readers, there will be anguish and bloodshed, plenty of tears, doomed heroism, Victorian science gone mad (and in a madhouse!) and all wrapped up with gorgeous dancers in even more gorgeous costumes plus the marvellous music of David Lazar.
I know. Most of you aren't opera people. Well, heck - who is? But actually being involved in the creation of a marvellous collaboration like this is just fantastic. Watching your ideas as they evolve through dozens of other artists... it's amazing. And then to see a piece like this, polished, beautiful, ready to go, and to hear one's own words floating ethereally on that elegant soprano, over the top of all that dark, lovely, dangerous-looking choreography -
- yeah. It makes up for a lot.